Pretty much every day I get at least one e-mail asking this question. I decided to answer it once and for all.


[Before I begin, let me say that I loved my Canon. Loved my Canon glass. I was very sad to part with the brand that started my business. I have nothing against Canon...this was a personal preference.]

When I first got into photography, I didn't really do any research besides asking around to see what my friends were shooting with at the time. I ended up with a Canon Rebel XT. I could afford it. That's it. No other rhyme or reason.

Of course, as my business grew, I realized the Rebel wasn't going to cut it (especially for birth photography), so I moved up to the full frame Canon 5D and wow! My post-processing time was cut by 75%!! I loved that camera and we did wonderful things together for about 2 years.

Then, when the MII was released, I knew I needed a back up body, so I thought I'd keep my 5D and get the MII because of the video capabilities.  Early on, I knew something was awry with my MII, but I couldn't figure out what. I started to notice that every 3rd-4th image was soft or just completely out of focus...but for no real reason. I chalked it up to user error, but I couldn't escape the nagging feeling that it wasn't--I mean, I'd been doing this for more than 2 years, I should know how to use my camera and get crisp images by now.  Eventually, I sent the MII to be examined and Canon replaced the entire AF system, gratis. 

All was well. For about a month. And then again, soft shots.

After sending it in for the 4th time and having the AF system replaced 3 times, I decided enough was enough. But what to do? I didn't want to go back to the 5D because I LOVED the high ISO capabilities of the MII. I didn't want another MII because I didn't trust it. I could upgrade to the MIII, but I was worried I was going to run into the same issues. So, I started to look around at the work of my colleagues that I admired and little by little, I saw that most of them were shooting Nikon. Everyone was always talking about how great the AF system was for Nikon, how the controls are so much more user-friendly.


At a workshop during the summer of '10, I took a few shots with a friend's D700. It was awkward for me...like driving on the other side of the highway. I wasn't sure I could justify a switch. I had invested SO much in Canon already. But when I got home, I opened up the images in Bridge. I would zoom in on each one and hold my breath like I normally do when I'm looking at my Canon images and lo and behold...every single one of those puppies was in perfect focus. Crisp. Clear. Sharp as a tack. User error my left foot.

By the end of that week, I had a D700 in my hands and was selling off every bit of my Canon gear. I had already taken the month off for business planning so I was able to practice, practice, practice and get comfortable with Nikon (everything is different...even the direction you zoom and change lenses is opposite). It didn't take me long at all though because, like everyone had always told me, Nikon was indeed much more intuitive. I was happy. Very happy.

I will say that skin tones are a little bit trickier with the D700 as opposed to my Canon cameras, but I got over that. I can adjust skin tones pretty quickly in RAW, but focus isn't something I was able to fake very well. I also find that the D700 will blow highlights a lot quicker than my Canon, but again, I can deal with that just by getting my exposure right.

I don't write all of this out to try to convince someone one way or the other, but I do encourage you to try/rent several camera bodies before you invest. I wish I had done that because financially, it wasn't the wisest move in the world to switch over. I've heard from plenty of people who have the MII and have loved it. Perhaps I got a lemon. It's not that I don't recommend the MII or any Canon camera, but for now, I will happily gloat over the D700 to all who will listen!

 

P.S. FWIW, I *rarely* used the video on the MII. I found that just don't think like a videographer. I'm going to leave that up to the pros in that field.


P.P.S. If you'd like to chat more about this issue or are looking for more photography tips and resources, definitely check out becoming a member of Pinkle Toes 4 Photographers.


P.P.P.S. Have you voted?


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Some inspiration for my clients as we dive into the busy season ;-) Clients, feel free to e-mail me for a complete shopping list if you see a look that you'd like to get for your own. Photographers, you can get your own Fall & Winter Fashion Guide to customize for your own clients via Pinkle Toes 4 Photographers.

All images and content  © 2010 Pinkle Toes Photography
For use by Pinkle Toes Clients and members of Pinkle Toes 4 Photographers only.

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They're here! They're here! Photographers: hop on over to the Pinkle Toes 4 Photographers blog for all the info!

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August 18, 2010

I_austin_family_photographer.jpg
It's not often that I get to work with families with teenage kids, but when I do, it's so refreshing. Tonight was magnificent...everyone was willing to play, had great ideas, and obviously enjoyed each other's company. Natural, fun, and happy. Doesn't get any better than that!

[Note: I created this collage using my new blogging actions for PT4P members. It's so fast...can't believe I didn't make them sooner! And in even better news, there are two blogsite templates in the hopper that will be available for sale to members *very* soon. Getting really excited about that!]
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